Yvain: The Knight of the Lion
In his first graphic novel, National Book Award winner M. T. Anderson turns to Arthurian lore, with captivating art by Andrea Offermann bringing the classic legend to life.
Eager for glory and heedless of others, Sir Yvain sets out from King Arthur’s court and defeats a local lord in battle, unknowingly intertwining his future with the lives of two compelling women: Lady Laudine, the beautiful widow of the fallen lord, and her sly maid Lunette. In a stunning visual interpretation of a 12th century epic poem by Chrétien de Troyes, readers are — at first glance — transported into a classic Arthurian romance complete with errant knights, plundering giants, and fire-breathing dragons. A closer look, however, reveals a world rich with unspoken emotion. Striking, evocative art by Andrea Offermann sheds light upon the inner lives of medieval women and the consequences Yvain’s oblivious actions have upon Laudine and Lunette. Renowned author M. T. Anderson embraces a new form with a sophisticated graphic novel that challenges Yvain’s role as hero, delves into the honesty and anguish of love, and asks just how fundamentally the true self can really change.
Praise for Yvain: The Knight of the Lion
"Yvain The Knight Of The Lion," by M.T. Anderson, illustrated by Andrea Offerman, is based on a 12th century epic poem by Chretien de Troyes, the original source of the King Arthur stories…The result is a sharp critique of medieval social strictures, with stunning battle scenes, monsters, and blood.
—The New York Times Book Review
Anderson’s (Symphony for the City of the Dead) clever, nuanced recasting of Chrétien de Troyes’s Arthurian legend blends archaic courtliness (“May God hear you”) with modern clarity (“Oh, dry up”)...Offermann’s (the Thickety series) sequential artwork provides a thrilling, nonstop barrage of swordplay, gallantry, and magic; her battle scenes pulse with life, especially when the lion comes to Yvain’s aid.
—Publishers Weekly (starred review)
Anderson uses the format's sparseness of text to maximum effect, fashioning a thought-provoking narrative that reflects the grandiosity of Arthurian England while never relinquishing the human element at the core of this story. His perceptive rendering of gender politics within the court is one of the tale's most intriguing features. A compulsively readable and eminently enjoyable retelling that breathes new life into an old classic.
—Kirkus Reviews (starred review)
This adaptation of Chrétien de Troyes’ medieval poem beautifully ties together period art and imagery with stylish visual storytelling...Teens who might balk at reading an epic poem will likely be surprised and delighted by Anderson and Offermann’s thoughtful, entertaining, and provocative presentation of this centuries-old story.
Offermann’s eye-catching illustrations combine modern styles with elements of medieval manuscripts, and emotional close-ups are often used to very dramatic effect. An intriguing selection that will be most appealing to fans of high fantasy and Arthurian stories.
—School Library Journal
Among older audiences, this title could spark discussion on a woman’s role in society or the contrast between the friendship of Yvain and Sir Gawain with the object of his desire, Laudine. Realistic, delicately crafted illustrations compliment the story.
—School Library Connection
The writer and artist both effectively capture Laudine’s indignation, resignation, and ultimate fate...Anderson’s spare, matter-of-fact narration, set against Offerman’s muted earth tones, detailed small panels, sweeping spreads, and swirling, turbulent motifs, further ensures that readers’ hearts are as tormented as Laudine’s.
—The Horn Book
M.T. Anderson's adaptation of a 12th-century epic poem by Chretien de Troyes...appears in a robust graphic-novel form that highlights the story's stark, poetic refrain: "It is truly a marvel, but I tell you, hatred and love may live cramped together, crouching in the same heart."
At turns elegant, startling and ironic, this turbulent adventure makes a superb introduction to medieval ideas and storytelling for readers ages 12 and older.
—The Wall Street Journal